Gulliver's Travels Into Several Remote Nations Of The World
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Jonathan Swift's Famous Book, Illustrated By Arthur Rackham

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A VOYAGE TO LAPUTA, Etc. 153
larged my dictionary; and, when I went next to Court, was able to understand many things the king spoke, and to return him some kind of answers. His Majesty had given orders that the island should move north-east and by east, to the vertical point over Lagado, the metropolis of the whole kingdom below upon the firm earth. It was about ninety leagues distant, and our voyage lasted four days and an half. I was not in the least sensible of the progres­sive motion made in the air by the island. On the second morning, about eleven o'clock, the king himself, in person, attended by his nobility, courtiers, and officers, having prepared all their musical instruments, played on them for three hours, without intermission, so that I was quite stunned with the noise; neither could I possibly guess the meaning, till my tutor informed me. He said that the people of their island had their ears adapted to hear the music of the spheres, which always played at certain periods, and the Court was now prepared to bear their part, in whatever instrument they most excelled.
In our journey towards Lagado, the capital city, his Majesty ordered that the island should stop over certain towns and villages, from whence he might receive the peti­tions of his subjects. And, to this purpose, several pack­threads were let down, with small weights at the bottom. On these packthreads the people strung their petitions, which mounted up directly, like the scraps of paper fastened by school-boys at the end of the string that holds their kite. Sometimes we received wine and victuals from below, which were drawn up by pulleys.
The knowledge I had in mathematics gave me great assistance in acquiring their phraseology, which depended much upon that science and music; and in the latter I was not unskilled. Their ideas are perpetually conversant in lines and figures. If they would, for example, praise the beauty of a woman, or any other animal, they describe it by rhombs, circles, parallelograms, ellipses, and other geome-
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